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American Western and Military Art

May 2026

These objects are connected through their depiction of American frontier life, military subjects, and Western themes, primarily from the late 19th and early 20th centuries, with several works appearing to be by Frederic Remington based on characteristic titles and subjects.

37 objects · 4 institutions

"As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly Magazine
IIIF

"As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly Magazine

Art Institute of Chicago

n.d.

A Mexican Vaquero
IIIF

A Mexican Vaquero

Art Institute of Chicago

1890

Ceremony of the Fastest Horse
IIIF

Ceremony of the Fastest Horse

Art Institute of Chicago

c. 1900

Coming Through the Rye (Over the Range)
IIIF

Coming Through the Rye (Over the Range)

Art Institute of Chicago

Modeled 1902, cast in bronze 1902–6

Emblems for Royal Crown Lodge No. 22
IIIF

Emblems for Royal Crown Lodge No. 22

Art Institute of Chicago

1810–15

First and Best Camp of the Trip
IIIF

First and Best Camp of the Trip

Art Institute of Chicago

1895

Historians of the Tribe
IIIF

Historians of the Tribe

Art Institute of Chicago

1890–99

How the Horses Died for Their Country at Santiago
IIIF

How the Horses Died for Their Country at Santiago

Art Institute of Chicago

1899

I Will Tell the White Man
IIIF

I Will Tell the White Man

Art Institute of Chicago

c. 1900

Nothing But Cheerful Looks Followed the Bat
IIIF

Nothing But Cheerful Looks Followed the Bat

Art Institute of Chicago

c. 1900

Paddling the Wounded British Officer
IIIF

Paddling the Wounded British Officer

Art Institute of Chicago

1897

Power of Death

Power of Death

Harvard Art Museums

c. 1889-1890

Rushing Red Lodges Passed through the Line
IIIF

Rushing Red Lodges Passed through the Line

Art Institute of Chicago

c. 1900

Slave Market
IIIF

Slave Market

Art Institute of Chicago

1893

The Advance-Guard, or The Military Sacrifice (The Ambush)
IIIF

The Advance-Guard, or The Military Sacrifice (The Ambush)

Art Institute of Chicago

1890

The Bronco Buster
IIIF

The Bronco Buster

Art Institute of Chicago

Modeled 1895, cast 1899

The Bronco Buster
IIIF

The Bronco Buster

Art Institute of Chicago

Modeled 1909, cast 1912

The Captive Slave
IIIF

The Captive Slave

Art Institute of Chicago

published 1827

The Captive Slave (Ira Aldridge)
IIIF

The Captive Slave (Ira Aldridge)

Art Institute of Chicago

1827

The Fire Eater Raised His Arms to the Thunder Bird
IIIF

The Fire Eater Raised His Arms to the Thunder Bird

Art Institute of Chicago

c. 1900

The Fire-Eater Slung His Victim Across His Pony
IIIF

The Fire-Eater Slung His Victim Across His Pony

Art Institute of Chicago

c. 1900

The Interpreter Waved at the Youth
IIIF

The Interpreter Waved at the Youth

Art Institute of Chicago

c. 1900

The Mexican Major
IIIF

The Mexican Major

Art Institute of Chicago

1889

The Old Dragoons of 1850
IIIF

The Old Dragoons of 1850

Art Institute of Chicago

Modeled 1905, cast 1906–7

The Race Track (Death on a Pale Horse)

The Race Track (Death on a Pale Horse)

Cleveland Museum of Art

c. 1896–1908

The Rattlesnake
IIIF

The Rattlesnake

Art Institute of Chicago

Modeled 1905, cast 1918

The Slave Market
IIIF

The Slave Market

Art Institute of Chicago

n.d.

The Slave Market
IIIF

The Slave Market

Art Institute of Chicago

1629

The Slave Market

The Slave Market

Cleveland Museum of Art

1629

The Slave Market
IIIF

The Slave Market

Art Institute of Chicago

1629

The Slave Market

The Slave Market

Cleveland Museum of Art

1629

The Slave Market
IIIF

The Slave Market

Art Institute of Chicago

n.d.

The White Slave Trade
IIIF

The White Slave Trade

Art Institute of Chicago

1886, printed 1909

This Was a Fatal Embarkation
IIIF

This Was a Fatal Embarkation

Art Institute of Chicago

1898

Trooper of the Plains

Trooper of the Plains

Metropolitan Museum of Art

1908, cast before 1939

Trooper of the Plains-1868

Trooper of the Plains-1868

Cleveland Museum of Art

modeled 1908, cast c. 1911

Why Born Enslaved!

Why Born Enslaved!

Cleveland Museum of Art

1867